A portrait of Bach as a young man while in Weimar attributed to J. E. Rentsch, the Elder.
A portrait of Bach as a young man while in Weimar attributed to J. E. Rentsch, the Elder.
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Bach Here and There (III) #9205

…Concerts in Tennessee, South Carolina, and Japan testify to the universality and timelessness of the Bach spirit.

J.S. BACH: prelude & Fugue in a, S. 543

J.S. BACH: Chorale-prelude, Schmuecke dich, o liebe Seele, S. 654

J.S. BACH: 3 Chorale-preludes (dies sind die heil 'gen zehn Gebot', S. 679; Kyrie-Christe-Kyrie, S. 672-674; Wir glauben all' an einen Gott, S. 680)

J.S. BACH: Chorale-prelude, Allein Gott in der Hoeh' sei Ehr', S. 711

J.S. BACH: Trio Sonata No. 4 in e, S. 528

J.S. BACH: Chorale-prelude, Allein Gott, S. 663

J.S. BACH: 4 Chorale-preludes (Ich ruf zu dir, Herr Jesu Christ, S. 639; In dich hab ich gehoffet, Herr, S. 640; Wenn wir in hoechsten Noeten sein, S. 641/S. 668)

J.S. BACH: Prelude & Fugue in C, S. 547

Performances are by John David Peterson (of Memphis State University) on the 1988 Martin Ott organ at Lord of Life Lutheran Church, Memphis, Tennessee; Yuko Hayashi, inaugurating the 1990 Taylor & Boody organ at Ferris School for Women in Yokohama, Japan; and Roberta Gary (of the University of Cincinnati), Joan Lippincott (of Westminster Choir College), and Edmund Shay (of Columbia College) participating in the annual summer Bach Week at Lutheran Theological Southern seminary in Columbia, South Carolina, and playing the 1985 Flentrop organ.