Revisiting Reger #9310
…A glimpse at some pages from the volumes and volumes of music left by the most prolific, and perhaps best German organ composer after Bach, Max Reger.
MAX REGER: Prelude & Fugue in C. Op. 56, no. 4. Reger: Three Chorale-preludes (Valet will ich dir geben, Op. 56, no. 40; Komm, susser Tod; Wachet auf, Op. 67, no. 43). MAX REGER: Fantasy & fugue in c, Op. 29 Rosalinde Haas (Albiez organ in Frankfurt am Main)
MAX REGER: Intermezzo in f, Op. 129, no. 7 Jos van der Kooy (1813 Maarschalkerweerd, Zwolle)
MAX REGER: Romanze, Op. 80, no. 8 Max Reger (via Welte organ rolls)
MAX REGER: Three Chorale-preludes (Warum Sollt ich mich den graemen, Op. 67, no. 45; Wunderbarer Konig, Op. 135a, no. 30; Aus meines Herzens Grunde, Op. 67, no. 4) Rosalinde Haas, organ.
MAX REGER: Fugue in G Max Reger (organ rolls)
MAX REGER: Benedictus, Op. 59, no. 9 Donald Joyce (1942 Hill, Norman & Beard, Norwich Cathedral)
MAX REGER: Chorale-fantasy, Wie schoen leuchtet der Morgenstern, Op. 40, no. 1 Carlo Curley (1931 Skinner/Girard, Philadelphia, Pennsylvania)
