How Suite it Is #0508
From the 17th through the 20th centuries, composers have gathered together movements of tenderness, audacity, rhythm and color to create sweet samplers of their art.
GILLES JULLIEN: Suite du 7eme Ton –François-Henri Houbart (1501 Anonymous; 1681 De Fontaine; 1974 Koening/Église Notre-Dame, Lorris, France) BNL 112766
ARTHUR FOOTE: Suite in D, Opus 54 –Haig Mardirosian (1991 Buzard/St. John the Divine Episcopal Chapel, Champaign, IL) Centaur CD-2368
MARCEL DUPRÉ: Suite Bretonne, Opus 21 –Jeremy Filsell (1979 Möller/St. Boniface Episcopal, Sarasota, FL) Guild GMCD 7188
CHARLES TOURNEMIRE: Suite Evocatrice, Opus 74 –Jeremy Filsell (1908; 2001 Harrison & Harrison/Cathedral, Ely, England, UK) Herald CD-145
JOHANN JACOB FROBERGER: Suite in a –Davitt Moroney (1653 Dallam/Eglise de Lanvellec, Cotes d’Armor, France) Temperaments CD-76
JOSEF RHEINBERGER: Finale, from Suite for Organ, Violin and Cello, Opus 149 –Paul Barritt, violin; Richard Lester, cello; Christopher Herrick (1988 Frobenius/All Saint’s Church, Kingston upon Thames, England, UK) Hyperion CDA66883
