San Francisco, Here We Come (Again) #2419
. . . a preview of some instruments to be featured during the upcoming American Guild of Organists Convention (June 30-July 4), and some others, too.
Hour 1
RON NELSON: Pebble Beach Sojourn (premiere) –Festival Brass & Percussion Ensemble/Denis de Coteau; Carole Terry (1975 Ruffatti/St Mary’s Cathedral) PD Archive (r. 1984)
HEINRICH SCHEIDEMANN: Galliard in D –Robert Bates (1995 Fritts) & David Yearsley (1984 Fisk/Memorial Church, Stanford University) LOFT 1008
JOHN KNOWLES PAINE: Larghetto, fr 2 Preludes, Op. 19 –Robert Bates (1901 Murray Harris/Memorial Church, Stanford University)
LOUIS CLAUDE DAQUIN: Noël No. 1 sur les jeux d’anches –Robert Bates (2004 Fisk/Memorial Church, Stanford University) Loft 1004
ERNEST BLOCH: Wedding March No. 1 –Rodney Gehrke (1904 Los Angeles Art Organ/Temple Sherith Israel)
RICHARD PURVIS: Fantasy on Ton-y-Botel –Tom Hazleton (1934 Aeolian-Skinner/Grace Cathedral) PD Archive (r. 9/7/03)
CHRISTOPHER PUTNAM: Evensong Improvisation. LEO SOWERBY: Nun dimittis in D –Grace Cathedral Choir/John Fenstermaker; Christopher Putnam (1934 Aeolian-Skinner/Grace Cathedral) Gothic 49106
ROBERT SCHUMANN: Fugue No. 1 on B-A-C-H, Op. 60 –Catharine Crozier (1934 Aeolian-Skinner/Grace Cathedral) Delos 3090
Filler – NELSON (see above)
Hour 2
GEORGE CORY: I left my heart in San Francisco –Simon Gledhill (Wurlitzer/Castro Theatre) Trans-Video 421
LEO SOWERBY: Pageant –John Balka (1915 Austin/San Francisco Civic Auditorium)
OLIVIER MESSIAEN: Dieu parmi nous, fr La Nativité du Seigneur –Jonathan Dimmock (2010 Letourneau/ Cathedral of Christ the Light, Oakland) Dimmock 1001
JOHN C. BECKWITH: Voluntary No. 1 –Randall Jay McCarty (1860 Davis/Grace Cathedral)
CLARENCE MADER: October Interlude –Cherry Rhodes (1934 Aeolian-Skinner/Grace Cathedral) Pipedreams 1002
COLE PORTER: Kiss Me Kate Medley –Simon Gledhill (Wurlitzer/Castro Theatre) Trans-Video 421
Filler – DAQUIN (see above)
Those recordings not otherwise identified were made by Scott Kent during the 1988 Organ Historical Society Convention in San Francisco. Not every instrument included here will be heard during SFAGO2024.
Enjoy these additional San Francisco-based programs from our archive:
AGO ‘84 (I) – California, Here We Come #8594
AGO ’84 (II) – San Francisco Skinners #8595
AGO ’84 (III) – Preston, Guenther and Douglass #8596
AGO ’84 (IV) – Music at Grace #8598
AGO ’84 (V) – Weir, Chalmers and Britton #85100
AGO ’84 (VI) – From Davies Symphony Hall #8608
AGO ’84 (VII) – Ruffattis Reverberate #85102
AGO ’84 (VIII) – From Davies Symphony Hall #8608
Son of San Francisco (Tom Hazleton) #9830
Purvis Pieces (a tribute to San Francisco’s celebrated organist/composer Richard Purvis) #1332
Continuing support of PIPEDREAMS is provided in loving memory of Lucinda and Wesley Dudley by their family, with additional support from Walter McCarthy, Clara Ueland, and the Greystone Foundation, from Jan and Steve Kirchner, from the Art and Martha Kaemmer Fund of the HRK Foundation, and from listener-contributors to this public radio station. Support also comes from the Bedient Pipe Organ Company of Roca, NE and the Berghaus Organ Company, Inc. of Bellwood, IL, members of APOBA, the Associated Pipe Organ Builders of America, a collaborative of designers, creators, and maintainers of pipe organs found in religious and educational institutions, concert halls, and residences throughout the United States and beyond. An APOBA resource guide and member prospectus is available at APOBA.COM.