A La Española #2502
. . . an amateur’s exploration of varied and vivacious music in the Spanish style, from both the old world and the new.
Hour 1
FELIPE GORRITI (1839-1896): 4 Versos del Primer Tono, fr Salmodia Orgánica—Esteban Elizondo Iriarte (18th c. Anonymous/Santo Domingo Convent, Pamplona, Spain) Aeolus 10521
JUAN CABANILLES (1644-1712): Tiento séptimo tono –Jan Willem Jansen (1984 Felsberg/Church of San Pablo, Zaragossa) Dorian 93185
FÉLIX MÁXIMO LÓPEZ (1742-1821): Verzo del undécimo tono –José Luis González Uriol (1727 Echevaría/1994 Späth/Santa Maria Cathedral, Ciudad Rodrigo, Spain) Organ 7208
CLEMENT JANNEQUIN (arr.): La Guerre, fr Lublin Tabulature –Kimberly Marshall (1738 Enriquez/San Miguel, Villalon de Campos, Spain) Valois 4645
JAIME NUNÓ (1824-1908): Mexican National Anthem –E. Power Biggs (1957 Tamburini/National Auditorium, Mexico City) Columbia 3001
ANTONIO de CABEZÓN (1510-1566): Fabordones del primer tono –Guy Bovet (ca. 1735 Anonymous/San Jerónimo, Tlacochahuaya, Mexico) IOHIO 1
PABLO BRUNA (1611-1679): Tiento de medio registro de baxön de sexto tono –Luigi Ferdinando Tagliavini (ca. 1735 Anonymous/San Jerinomo, Tlacochahuaya, Mexico) IOHIO 4. Note that what likely is the last IOHIO Organ Festival will be celebrated in and around Oaxaca (February 5-10, 2025), sponsored by the Institute for Historic Organs in Oaxaca.
PADRE ANTONIO SOLER (1729-1783): Concerto No. 6 in D for Two Organs (Allegro e minué) –Jürgen Essl (1735 Nassare, Gospel organ) & Jeremy Joseph (1695 Sesma-1736 Nassare, Epistle organ/Metropolitan Cathedral, Mexico City) Cybele 031802
Filler – CABANILLES (see above)
Hour 2
ANONYMOUS: Folk Songs from Oaxaca (La Tortuga & La Llorona) –Valentín Hernández, percussion; Cecilia Winter (1712 Chávez-1997 Tattershall/Oaxaca Cathedral, Mexico) IOHIO 5
ANTONIO de CABEZÓN (1510-1566): 3 Pieces (O lux beata trinitas-Ave maris stella-Tiento del Segundo tono) –Andrés Cea (1750 Ortiguez/Parroquie los Castaños, Spain) Lindoro 0120
ANTONIO MARTIN y COLL (d. @1735): Las Folias –Riyehee Hong (1714 Gómez-1987 LUIS/Iglesia de San Pedro Torredesillas, Spain) CMBP 1944
FRANCESCO CORREA de ARAUXO (1584-1654): Tiento XXIX –Antonio Corvieras (18c. Anonymous-1988 Grenzing/Santa Maria la Real de La Corte, Oviedo, Spain) A & B Master Record 04
RAMON CARNICER (1789-1855): Sonata No. 5 –Miquel González (2003 Blancafort/Sant Andreu de la Selva del Camp, Spain) Trito 0064
JOAQUÍN BROTO (1921-2006): Ensueño –Soledad Mendive (1858 Roqués-2003 Grenzing/El Salvador Cathedral, Zaragosa, Spain) Institution Fernando el Catolico 09
ANTONIO JOSÉ MARTINEZ PALACIO (1902-1936): Improvisacion –Esteban Elizondo Iriarte (1905 Mutin-Cavaillé-Coll/Iglesia de la Merced, Burgos, Spain) Aeolus 10631
JESÚS GURIDI (1886-1961): Final para gran organo –Esteban Elizondo Iriarte (1889 Stoltz/Iglesia San Pedro Apöstol, Bergara, Spain) Aeolus 10361
Filler – GURIDI (see above)
The adventuresome reader might find further illuminations in this online discourse on Basque Organ Music.
Continuing support of PIPEDREAMS is provided in loving memory of Lucinda and Wesley Dudley by their family, with additional support from Walter McCarthy, Clara Ueland, and the Greystone Foundation, from Jan and Steve Kirchner, from the Art and Martha Kaemmer Fund of the HRK Foundation, and from listener-contributors to this public radio station. Support also comes from Syndyne Corporation of Vancouver, WA and Taylor & Boody, Organ Builders of Staunton, VA, members of APOBA, the Associated Pipe Organ Builders of America, a collaborative of designers, creators, and maintainers of pipe organs found in religious and educational institutions, concert halls, and residences throughout the United States and beyond. An APOBA resource guide and member prospectus is available at APOBA.COM.
