
A Marvelous Miscellany #2516
. . . some select and savory sonorities representing just the tip of the iceberg from a pile of recent recordings.
Hour 1
J. S. BACH (trans. Dupré): Sinfonia to Cantata No. 29 –Josef Still (1974 Klais/Trier Cathedral, Germany) Aeolus 11421
JAN van EYKEN: Moderato (i.), fr Sonata No. 1 in c, Op. 13 –Ute Gremmel-Geuchen (1864 Ibach/St. Gertrud’s Church, Bergen op Zoom, Netherlands) Aeolus 11371
CHARLES-MARIE WIDOR: Cantabile (iv.), fr Symphony No.6, Op. 42, no. 2 –Jens Korndörfer (1889 Cavaillé-Coll/St. Sernin Basilica, Toulouse, France) Organum Classics 241014
JEFFREY MOSS: Rubber Duckie –Zach Frame (Organ Piper Pizza, Greenfield, WI). DUKE ELLINGTON: Sophisticated Lady –Jelani Eddington (Carmex Labs Warehouse, Franklin, WI) ATOS 2023
HERBERT HOWELLS: Siciliano for a High Ceremony –John Sherer (2015 Quimby/4th Presbyterian Church, Chicago, IL) Gothic 49343/4
SIMEON TEN HOLT: Canto Ostinato (excerpt) –Eric Vloeimans, trumpet; Aart Bergwerff (1922 Sauer/Orgelpark, Amsterdam, Netherlands) Brilliant Classics 97409
Filler – BACH Sinfonia (see above)
Hour 2
FRANZ SCHMIDT: Fugue in A –Andreas Jetter (1927 Behmann/St. Martin’s Church, Dornbirn, Austria) Ambiente-Audio 2049
DIETERICH BUXTEHUDE: Magnificat primi toni, BuxWV 203 –Jonathan Moyer (1637 Stellwagen/St. Jacobi Church, Lübeck, Germany) Loft 1165
ANONYMOUS: Washington’s March –Philip Cooper (1776 Tannenberg/Moravian Historical Society, Nazareth, PA) Cooper Volume 3
MILOS SOKOLA: Passacaglia quasi toccata na téma B-A-C-H –Iain Quinn (2002 Mander/Peachtree Road United Methodist Church, Atlanta, GA) Naxos 8.574544
BACH: Prelude in G, BWV 568 –Frederick Hohman (2023 Taylor & Boody/Ancilla Domini Chapel, Donaldson, IN) Pro Organo 7105
CHARLES TOURNEMIRE: Triptyque, fr Suite No. 26 (In Festo Ss. Trinitatis, fr L’Orgue Mystique –Peter Stevens (1932 Willis/Westminster Cathedral, London, England) Ad Fontes 013
JEAN LANGLAIS: Poem of Happiness, Op. 153 –Alessandro Perin (1967-1999 Tamburini-Bonato/San Lorenzo Cathedral, Abano Terme, Italy) Brilliant Classics 96361
Filler – SCHMIDT (see above)
PIPEDREAMS is supported in loving memory of Lucinda and Wesley Dudley by their family, with additional support from Walter McCarthy, Clara Ueland, and the Greystone Foundation, from Ed and Wanda Eichler, from the Art and Martha Kaemmer Fund of the HRK Foundation, and from Berghaus Organ Company, Inc. of Bellwood, IL and Bond Organ Builders, Inc. of Portland, OR, members of APOBA, the Associated Pipe Organ Builders of America, a collaborative of designers, creators, and maintainers of pipe organs found in religious and educational institutions, concert halls, and residences throughout the United States and beyond. An APOBA resource guide and member prospectus is available at APOBA.COM. I hope you’re prepared.