Archive of The Sound of History #9535
…conversations with Harald Vogel, who performs repertoire from the Gothic, Renaissance and Baroque periods on appropriate instruments (old and new).,
HEINRICH SCHEIDEMANN: Praeambulum in d. SAMUEL SCHEIDT: Chorale variations, Wie schön leuchtet den Morgenstern. SAMUEL SCHEIDT: Chorale, Jesu, wollst uns weisen (1692 Arp Schnitger/Ludgerikirche, Norden, Germany)
SUSANNE VAN SOLDT MANUSCRIPT: 2 Dances (1981 C.B. Fisk/Wellesley College, Wellesley, MA)
JAN PODBIELSKI: Praeludium in d. ANONYMOUS: Menuett (1713 von Holy/Marienkirche, Marienhafe, Germany)
JAN PIETERSZOON SWEELINCK: Variations on Soll es sein, Poolsche Dans (1610 Compenius/Frederiksborg Slotskirke, Hillerød, Denmark)
MICHAEL PRAETORIUS: Chorale, Nun lob mein Seele (1981 C.B. Fisk/Wellesley College, Wellesley, MA)
CLAUDE GOUDIMEL, JAN PIETERSZOON SWEELINCK, ANTHONI van NOORDT and HENDRIK SPEUY Settings of Psalm 116. SUSANNE VAN SOLDT MANUSCRIPT: Brabanschen ronden dans, (17th century organ/Uttum, Ostfriesland, Germany)
J.S. BACH: Chorale, Das alte Jahr, S. 614. J.S. BACH: Fantasia in g, S. 542 (1984 C.B. Fisk/Memorial Church, Stanford University, CA)
These performances appear on recordings issued on the ORGANA label, which are available through the Organ Literature Foundation.
