Going on Record #0027
Michael Barone reviews a summer selection of recent recordings of music by and related to Johann Sebastian Bach.
J.S. BACH: Prelude in D, S. 532 –Felix Hell (1954; 1990 Schantz/Basilica of the Sacred Heart, Newark, NJ) Organ CD ORG7010
J.S. BACH: 3 Chorale-preludes: Gelobet seist du, Jesu Christ, S. 723; Gott, durch deine Güte, S. 724; Gelobet seist du, S. 722 –Gerhard Weinberger (1744 Wagner/St. Mary Church, Angermünde, Germany) cpo 999 654
C.P.E. BACH: Largo, from Sonata Number 3 in F. J.S. BACH: Chorale-prelude, Alle Menschen müssen sterben, S. 1117 –Jean-Claude Zehnder (1746 Hildebrandt/St. Wenzel Church, Naumburg, Germany) Psallite CD-60171
J.S. BACH: Capriccio in E, S. 993 –Kevin Bowyer (1962; 1987 Marcussen & Søn/St. Hans Church, Odense, Denmark) Nimbus NI 5647/8
GOTTFRIED AUGUST HOMILIUS: Chorale-prelude, Gelobet seist du, Jesu Christ –Graham Barber (1727 Müller/Jacobijnerkerk, Leeuwarden, The Netherlands) Priory PRCD520
JOHANN LUDWIG KREBS: Toccata in E; Chorale-prelude, Wer nur den Lieben Gott lässt walten –Gerhard Gnann (1750 Gabler/Weingarten Abbey, Germany) Naxos 8.553924
ANTONIO VIVALDI (arranged by J.S. BACH): 4-Keyboard Concerto in a, S. 1065 –Collegium Baroque, Nicolas Mazzoleni, conductor; Bruno Morin, Olivier Vernet, Frederic Rivoal, Marie-Claire Alain (Aubertin chamber organs) Ligia Digital 0104088
SIGFRID KARG-ELERT: 2 Chorale-preludes, Opus 65; Number 2, Aus meines Herzens Grunde; Number 12, Lobt Gott, ihr Christen allzugleich –Jaap Kroonenburg (1732 Garrels/Grote Kerk, Maassluis, The Netherlands) Lindenberg LBCD-54
J.S. BACH: Trio Sonata Number 2 in c, S. 526, 1st movement –Jean-Pierre Lecaudey (1982 Grenzing/St. Cyprien Abbey, Périgord, France) Pavane ADW 7423
J.S. BACH: Trio Sonata Number 2 in c, S. 526, 3rd movement –Joan Lippincott (1996 Taylor & Boody/St. Thomas Episcopal, New York, NY) Gothic G49116
J.S. BACH: Passacaglia in c, S. 582 –Alan Morrison (1954; 1990 Schantz/Basilica of the Sacred Heart, Newark, NJ) Gothic G49114
Filler –J.S. BACH Trio Sonata Number 6, 1st movement (see above)
