It’s all about collegiality. On our next Pipedreams program, the organ teams up with all sorts of friends including it’s keyboard cousin, the piano, plus other brassy relations - the trumpet and trombone. You’ll hear a little lullaby for organ and harp, a haunting fantasy for organ and electronic-tape that is amazingly effective plus a transcription of an orchestral tone poem by Franz Liszt, a spicy Baroque Concerto by Michel Corrette, and a lusty march by Alexandre Guilmant.
Think variety organ with trumpet, organ with trombone, organ with choir, or harp, or piano, or symphony orchestra, even organ with electronic tape. We’re going to set aside all churchly implications and team up with many instrumental friends. Think beyond the box. Organ Plus, this week on Pipedreams.
This is fair and pleasant music, grave yet rapturous, from the pen of Marcel Dupré, a collection of introspective Vespers Antiphons which began as improvisations and proved to be so compelling that he was commissioned to later write them down. On our next Pipedreams program, these and other such works by Benjamin Britten, Larry King, and William Mathias provide startling contrast to outspoken scores by Percy Whitlock, Daniel Gawthrop, Barbara Harbach, and Brent Weaver, where heraldic brilliance calls us to attention and involvement.
It’s a program of contrasts, brilliant and subdued, theatrical and introspective, with instrumental and choral pieces dedicated to color and collective prayer. From the Cathedral in Mallaga to Trinity Church, Wall Street, delight in variety Fanfares and Antiphons, this week on Pipedreams.
What’s past was yesterday’s future. In this week’s program we take look in both directions by summing up happenings in the year 2002 and projecting our future into the new year. We’ll have snapshots from a European tour, birthday celebrations for some noted composers, a few highlights from superb concerts we’ve attended, and reflections on important personalities who have gone to their reward.
Trumpets sound forth, ancient pipes sing out, and persuasive personalities make the case for the King of Instruments as we celebrate the New Year and savor highlights from the Old. This week we take our annual look back & forward by pondering the pages in An Organist’s Yearbook.
The pipe organ’s participation in religious worship has been an important facet of its tradition. This week, we’ll explore one of those traditions, the organ’s role in the sacred liturgy of the French Mass. From the colorful registrations used by Nicolas DeGrigny in his 17th century versets to the provocative images of Olivier Messiaen, the voice of the pipe organ adds immeasurably to the enhancement and the elevation of spiritual consciousness.
…celebratory music for choirs and instruments in observance of the springtime Christian Easter.
…musical portraits of the progressive pomp and impending peril which comprise the dramatic narration of Holy Week.
…more recently released CDs featuring organs, composers and performers from Europe and elsewhere.
…a select survey of some sacred music written by one of the 20th century’s most honored composers, Benjamin Britten, on the hundredth anniversary of his birth.
…an international buffet of tasty carols and instrumental solos for Christmas time.
An autumn survey of recent releases of organ music on compact disc.
