How Suite it Is, Still #0944
…another go-round of compositional ‘sweets’ dedicated to the organ’s many moods and styles.
Hour 1
JEAN-ADAM GUILAIN: Suite on the First Tone with Magnificat chant interpolations –Les Demoiselles de Saint-Cyr, Emmanuel Mandrin, conductor; André Isoir (1714 Boizard/Abbey Church, Saint Michel en Thiérache, France) Temperaments CD-316012
J.S. BACH (arranged by de Jong): Cantata Suite in g –Euwe & Sybolt de Jong (1743 Hinsz/Bovenkerk, Kampen, The Netherlands) DeJong 03
JEAN FRANÇAIX: Suite Carmelite –Jürgen Essl (1979 Sandtner/Dom Sankt Martin, Rottenburg-am-Neckar, Germany) Fermate CD-20018
RICHARD RODGERS: South Pacific Suite –Tom Hazleton (1927 Wurlitzer/Alabama Theatre, Birmingham, AL) ATOS Alabama 2001
Hour 2
JOHANN KASPAR KERLL: Toccata and Suite in F –Elisabeth Ullmann (1654 Prackh/Pernegg Abbey, Austria) IFO 60 166
GUSTAV DÜBEN: Suite in d –Hans-Ola Ericsson (1997 Grönlunds/Norrfjärden Church, Piteå, Sweden) BIS-CD-1103
MAX REGER: Suite Number 1 in e, Opus 16, Den Manen Johann Sebastian Bach –Rosalinde Haas (1983 Albiez/Mutter vom Guten Rat, Frankfurt-Niederrad, Germany) Dabringhaus und Grimm MDG 315 0354
American Theatre Organ Society