1987 Brombaugh organ in Tye Recital Hall, Iowa State University, Ames, IA

Bach may have considered this piece a theoretical study and not have intended The Art of Fugue to be performed at all, since he prepared it in open score and left the climax incomplete. On our next Pipedreams program, we give life to theory, as an international array of soloists leads us through Bach’s contrapuntal maze, this music which astounds the mind and delights the ear simultaneously. A fugue too many? Not to worry, we’ll provide a map to help you listen, and hand you all the keys necessary to open the doors of mystery. How does it end?

We pick up the contrapuntal thread from last week and continue with some additional adventures. Bach left Die Kunst der Fuge incomplete, perhaps by design, perhaps by oversight, perhaps due to ill health. Should one resist the temptation to imagine a conclusion? We don’t.

Rather than fugues and canzonas, try a Pastorale Dance or a March with trumpet. On this week’s show, we temper European tradition with the iconoclastic visions of some composers here at in the U.S. Lukas Foss writes a celebratory choral work for a new church, Lee Hoiby sketches impressions of his California homeland, and Daniel Gawthrop has us kicking up our heals in rhythmic response. Beyond toccatas and tientos, we bring our focus closer to home and celebrate The American Muse.

If the number of recitals played each year is any indication, the art of the pipe organ in these United States is doing spectacularly well. This week, we lift samples from four different concert programs. Nothing replaces the excitement of being there for a live performance, even the best stereo in the world can’t compare, but you’ll get the idea as we draw from the energy our featured performers put forth as we find them In Concert.

Whether they trained abroad, trained at home, or relocated to or from Europe, the composers of these diverse works ultimately share an American passport.

…a colorful collection of music featuring African-American composers and performers.

…along with the usual sorts of musical hookups, the pipe organ gets along pretty well with guitar, panflute, bassoon and taragot.

…With reflections on and forecasts of some matters of consequence in the world of the &ldqou;King of Instruments”.

…Some college and university instruments display a diversity of Bach's works.

Proving that even if you cannot teach an old dog new tricks, you can play old music on new organs.