1958, 1968 Aeolian-Skinner organ at Trinity Church, Wall Street, New York, NY

1958, 1968 Aeolian-Skinner organ at Trinity Church, Wall Street, New...
 

Related Links

Programs that feature this organ

#0207: Fanfares and Antiphons

This is fair and pleasant music, grave yet rapturous, from the pen of Marcel Dupré, a collection of introspective Vespers Antiphons which began as improvisations and proved to be so compelling that he was commissioned to later write them down. On our next Pipedreams program, these and other such works by Benjamin Britten, Larry King, and William Mathias provide startling contrast to outspoken scores by Percy Whitlock, Daniel Gawthrop, Barbara Harbach, and Brent Weaver, where heraldic brilliance calls us to attention and involvement. It’s a program of contrasts, brilliant and subdued, theatrical and introspective, with instrumental and choral pieces dedicated to color and collective prayer. From the Cathedral in Mallaga to Trinity Church, Wall Street, delight in variety Fanfares and Antiphons, this week on Pipedreams.

#0250: Prepare the Way

It is a procession of hope, a progression from darkness into light, the weeks of Advent anticipation. But this week, we’ll rush the season a bit, mixing music of joyful abandon with other scores perhaps just a bit reticent and watchful. Joel Martinson, John Rutter, William Mathias and Richard Purvis give fresh interpretation to prophetic scripture, while organists John Gowens, Guy Bovet, Richard Cummins and Frederick Hohman apply the King of Instruments to a celebration of the King of Kings. Poetic reflections and exuberant outbursts proclaim a holy season, with overriding hopes for peace on earth. With carols and anthems, preludes and dances, let instruments and choirs lift your spirits in anticipation of Christmas as we Prepare the Way.

#0841: Archive of Rorem on Rorem

…we celebrate composer Ned Rorem with performances of his music in anticipation of his 85th birthday. On this week’s show, we visit with Pulitzer Prize-winning composer Ned Rorem and celebrate the remarkable and envigorating repertoire that he has composed for organists and choirs. Is it strange that an agnostic son of Quaker parents should write so compellingly for the church or is everything under the sun just a concert celebrating creativity? Insights from the artist with his art, it’s Rorem on Rorem.