All Episodes

It’s organ and orchestra on our next Pipedreams program, from the inaugural week’s concerts at Seattle’s Benaroya Hall where the Watjen Concert Organ, built by C.B. Fisk, made its debut with Gerard Schwarz and the Seattle symphony during the Millennial Year National Convention of the American Guild of Organists. Hatsumi Miura premiere’s Robert Sirota’s new piece, In the Fullness of Time, resident curator Carole Terry performs Aaron Copland’s path-breaking Symphony Number 1, and Marie-Bernadette Dufourcet-Hakim introduces the vibrant Seattle Concerto by her husband, Naji Hakim. The crowds at Benaroya Hall went wild, and you will, too, as we share in Seattle’s Pride, America’s newest concert organ, this week on Pipedreams. There’s unrepentant optimism in the new Seattle Concerto by Naji Hakim, and a world of expressive possibility in music by Copland and Robert Sirota featuring the potent Watjen Concert Organ recently inaugurated at Benaroya Hall by Gerard Schwarz and the Seattle Symphony. It’s Seattle’s Pride this week on Pipedreams.

…the famous French recitalist, recording artist and teacher Marie-Claire Alain talks about her life and shares her music. With more than 200 albums to her credit, she is synonymous with the art of French organ music today. On our next Pipedreams program, Marie-Claire Alain talks about her family’s history, including the time when her organist father built an instrument for their home, upon which her older brother composed some of the foremost works of the 20th century. Meanwhile, this little black sheep of the talented Alain family grew up to be a famous teacher and recitalist who helped popularize the French Classics, and has recorded the complete works of Bach three times. Marie-Claire Alain talks and plays from the heart. She is a vital force in broadening the French musical perspective. Daughter and sister, teacher and recitalist, she has lived a life with and for music. Hear her story Alain on Alain this week on Pipedreams.

The work of African-American organ composers is a powerfully compelling story in music and on our next Pipedreams broadcast we’ll explore its diverse nature. With performer and commentator Mickey Thomas Terry, we’ll visit the National Shrine of the Immaculate Conception, Saint Patrick’s Church, and the National Presbyterian Church, all located in Washington, DC. Here we’ll listen to largely unknown creations by Thomas Kerr, William Cooper, Noel DaCosta, George Walker and Eugene Hancock. We’re highlighting music for organ with African percussion, and organ solo settings of African-American spirituals, music for church services, and pieces for the concert hall. It’s a multi-faceted discovery, spelled out In Black and White the African-American organ art, this week on Pipedreams.

…through works of the Couperin Family, we provide a fog-reducing introduction to music in French Classic style. Truly fit for a king. Their family dynasty served the Royal French Court, and French music, for nearly 200 years. The Couperins were masters of the keyboard and organists at the Church of Saint Gervais in Paris from 1653 to 1830. On our next Pipedreams broadcast, we’ll explore their works: the majestic and austere verses and fantasies by Uncle Louis, the charming miniatures of the grandson Arman-Louis and his son Gervais-Francois, and the monumental and poetic Masses by François Couperin who was called “The Great” for good reason. It’s a study of the evolution of style, and an introduction to the flavorful recipes of Classic French organ registration. This week, we’ll also hear program host Michael Barone demonstrate a few “French Classic” registrations with some illustrative performances. For anyone who has ever wanted to hear him play, here’s your chance! The colors are rich, the rhythms saucy, the flavors as beguiling as a good French wine. We’ll savor the art of the Baroque Organ in Paris, through music from four generations of the famous Couperin family: Louis, Armand, Gervaise, and Francois. From “C” to Shining “C”, an introduction to elegance, this week on Pipedreams.

The tradition of organ music in Christian community chapels dates back to the middle ages but, as you’ll discover on our next Pipedreams program, it’s still a very lively tradition. We’ll hear four instruments, three of them newly installed, play music both historic and modern. Buxtehude and Pinkham at Mount Saint Joseph Convent in Kentucky, Reger at Saint Norbert’s Abbey in De Pere, Wisconsin, pieces by James Hopkins and Marius Walter premiered at Mount Angel Abbey in Oregon, and works by James Primosh, Libby Larsen, and Maurice Duruflé recorded at Saint Meinrad Archabbey in Indiana, star, as we sample new Sounds from Sacred Spaces. We celebrate the related arts of composition and instrument building with a program of new music on new pipe organ installations featuring the artistry of Cherry Rhodes, Ladd Thomas, Douglas Reed, David Heller, and Douglas Cleveland. Let the spirits soar to Sounds from Sacred Spaces, this week on Pipedreams.

The magnificent Organ Sonata by Sir Edward Elgar is but one of the highlights of this week’s Pipedreams broadcast. In it, four players, two in London and two in New England, will revel in an almost orchestral wash of color. Joseph Payne plays from the Mulliner Book, Malcolm Archer takes us to Lancaster Town Hall, Robert Wolley performs 16th century music on an instrument equally old, and Colin Walsh has a blast at Lincoln Cathedral. Experience the lush sounds that characterize organ music from jolly old England. Beyond Bach and Franck and Widor, there’s a wonderful realm of experience awaiting us in the works of British composers. From the Mulliner Book and early pieces by Orlando Gibbons and Dr. John Bull, through the proud pages of Hubert Parry and Charles Stanford, to the entire First Sonata by Edward Elgar, we prove it’s not a desert island as regards its organ music. Come and celebrate England’s Glory, this week on Pipedreams.

She was the first American to record the Schoenberg Variations and has been a life-long advocate of new music for her instrument. On the next Pipedreams program, we visit with Dr. Marilyn Mason who has been on the faculty of the University of Michigan for more than half a century. She’s one of a kind, and her boundless energy continues to inspire through her teaching, her recitals, and the study-tours she leads to historic instruments abroad. She’ll reflect on her career, share some sage advice for living a good life, and play just a few of the many pieces in her expansive repertoire. At Lincoln Center’s Philharmonic Hall, the National Shrine in Washington, and at the Hill Auditorium in Ann Arbor, we’ll celebrate The Art of Marilyn Mason. She blows her own horn, but that’s OK since she has plenty of which to be proud a long list of commissioned works and premiere performances, several hundred successful students from her University of Michigan studio, and a life-time of achievement and personal satisfaction. We celebrate The Art of Marilyn Mason this week on Pipedreams.

From a parish church in Raykjavik, Iceland, to a splendid mansion near Philadelphia, our next Pipedreams program samples great sounds and keeps your finger on the pulse of the pipe organ world. It’s a review of recent compact discs, giving you an opportunity to hear the largest church organ in America, a brand-new installation in Seattle, historic instruments in Central Germany from the time of Bach, and a stunning organ-with-trumpet duo from France. We’ll also listen to a sensuous Arabesque by Debussy, a youthful Pastorale by Ned Rorem, new music by Pamela Decker, a tango - believe it or not, and some jazzy measures from the old country. This week’s program is a wild mix of new organ compact discs including jazz stylings from Germany, a Tango from the Desert, Variations in Seattle, a sweet song from the DuPont summer mansion, and Bach in Iceland. John Weaver, Peter Sykes, Michael Keeley, and other share the glory as we sample new releases of organ compact discs, Going On Record, this week on Pipedreams.

We reflect on the passing of time on our next Pipedreams broadcast. The old year now is gone and done. So are a number of wonderful musical friends whom we will honor and miss. But, we’ll also celebrate some intriguing new instruments, check up on the Wanamaker Organ in Philadelphia for a progress report on the ongoing restoration there, sample some recent recordings - including a disc which just won a ‘golden ears’ award from a popular audiophile journal and stop down in Mexico, where fireworks and the village band added to the excitement of a visit from some Norwegian performers.

It’s a feast for the ears on this week’s broadcast. We’ll have choice and charming confections from home and abroad, including Dale Wood’s evocation of a Cold December, a Richard Purvis song about wee lambs, and a mechanical music-box version of White Christmas. We’ll also visit Saint Mark’s Cathedral, Minneapolis, the Tower Ballroom in Blackpool, England, and Brangwyn Hall in Wales in search of the proper ingredients for our holiday party.

We raise a joyful noise on our next Pipedreams broadcast, exploring the talents of a marvelously multi-faceted fellow whom you might best know from his keyboard collaborations with the Paul Winter Consort. But Paul Halley does so much more. We’ll hear him with his Connecticut-based Chorus, Angelicus and Gaudeamus, in recital at Spivey Hall near Atlanta, improvising on seasonal songs, and in his landmark recording of late-night music from the Cathedral of Saint John the Divine in New York City. Spirituality and spirited performing become one in the same, as Paul Halley shares his unique gifts.

It’s not your usual sort of seasonal surprise on this weeks Pipedreams program. To prove the universality of the Christmas theme, we’ve conducted a global search and it has uncovered some extraordinary jewels, including a French Noel, variations from The Netherlands and South Africa, and settings of familiar tunes from Sweden, Norway, Germany, Austria, Lebanon and the United States.

There’s a song in the air and it’s about change. The future is just around the corner… but not quite, not yet. On this week’s broadcast, we’ll ponder the problem of the unknown, with music for Advent, including an atmospheric pharaphrase by Hans-Andre Stamm, a collection of Bach chorale-preludes, and an improvised symphonic movement by Marcel Dupré that he recorded with compelling persuasiveness in his 79th year.

One of the delights about the organ is its virtually limitless repertoire, and this Pipedreams program explores some of that as we sample a collection of the latest releases of pipe organ repertoire on compact disc. Hear pieces by Bach’s favorite pupil, a work for organ and cello by written by one Paris Conservatoire professor for himself and a colleague, a canny combination of organ sound with an electronically synthesized harp, a quiet bluesy Arietta by African American pianist Thomas Kerr, and a sonorous symphony by Alexander Guilmant which will make your speakers rumble.

When George Fredric Handel needed to draw crowds to performances of his new oratorios, he discovered that they’d come to see HIM play the organ. Now that’s star-power. And although the ravages of time have been less kind to some of his contemporaries, Handel’s concertos, and specifically those written for the organ, are still among the most delightful concert works ever devised from that period.

He heralded the Common Man, and the uncommon organist, too. With a Fanfare, a Preamble, a Passacaglia and a symphony composed in Paris for his teacher’s debut in New York City, we explore some characteristic yet surprisingly little-known organ works by one of America’s most famous composers.

Grandeur and majesty. Passion and poetry. These are the elements of a new musical style that evolved in Paris in the latter 19th-century which revolutionized the art of the organ. On our next Pipedreams broadcast, we’ll hear two ‘firsts’ - two symphonic works for solo organ by Charles-Marie Widor and his pupil and, ultimately, competitor, Louis Vierne. Inspired by the sonorities of the lavish new instruments designed by master organ builder Aristide Cavaillé-Coll, both Widor, who was the first to call a composition an organ symphony, and Vierne created musical masterpieces that are both a challenge to play and a joy to hear.

The nine competitors have been thinned to three with the ultimate challenge just on the horizon. On our next Pipedreams broadcast, we take you to the Meyerson Symphony Center in Dallas where three young artists vie for the gold prizes on a Texas scale totaling over $50,000 in cash and awards! Bach prevails in the company of Brahms, Bill Bolcom and Max Reger, while Gunther Rost, Bradley Hunter Welch and James Diaz pull out all the stops in this most prestigious of American contests for young masters of the king of instruments. Tune in and hear the exciting conclusion of the finals of the Dallas International Organ Competition 2000, this week on Pipedreams.