It had to start somewhere, even when it comes to new styles of writing for the keyboard. On our next Pipedreams broadcast, we’ll trace the art of the organ from the sixteenth to the twentieth century, from Antegnati to Ravanello, with recordings on some of the earliest playable pipe organs, solos, duets, saucy sonatas, romantic tone poems, and dramatic concertos. Influenced by the world at large, by court, church, theatre, and concert hall, these pieces by Gabrieli and Galuppi, Bergamo and Bossi, and Casella document a remarkable and colorful artistic progression an Italian Evolution, this week on Pipedreams.