Their contributions may not yet be as familiar as those of composers of the German Baroque or French Romantic eras, but the recent works of African-American musicians impress at many levels. On our next Pipedreams program, you’ll be able to hear pieces by Mark Fax and Thomas Kerr, Nol DaCosta, Henry Sexton, and Charles Coleman, which take as themes simple, beautiful original melodies, gospel hymns, and our nation’s racial history. Herndon Spillman, Mickey Thomas Terry, Eugene Hancock and David Hurd spell it out in black and white, our African American organ tradition.
There’s no doubt that he’s fleet of foot and finger, but on this week’s Pipedreams broadcast Anthony Newman shows that his imagination is every bit as quick. We’ll hear him in works by Bach recorded in New York and Poland; in two concertos by Handel played with extravagant embellishments in concert with the Saint Paul Chamber Orchestra; in some French miniatures presented at the Performing Arts Center in Naples, Florida; and in several of his own compositions and in duet performances with his wife Mary Jane. Don’t miss these imaginative insights and intrepid interpretations from one of America’s foremost virtuoso talents and thinkers.
He’s absolutely the best tonic for any time of year. On our next Pipedreams program, we anticipate the coming of spring and celebrate the March birthday of arguably the world’s finest composer, Johann Sebastian Bach. Drawing on some exclusive-to-Pipedreams recital recordings from the American Guild of Organists Convention in Seattle, you’ll hear James David Christie at Saint Alphonsus Church, Christa Rakich at Saint Mark’s Cathedral, Paul Jacobs at Epiphany Episcopal, and Robert Bates at Pacific Lutheran University in Tacoma. Also James Kibbie at University of Michigan, Peter Sykes in Reykjavik, Iceland, and Bill Chouinard at the Wooddale Church in Minnesota.
It’s a Prelude in C, a Concerto in G, and other music sent Vom Himmel hoch, from heaven above. American organists recorded in recital in Seattle, Eden Prairie, Ann Arbor, and Reykjavik celebrate the change of seasons and honor one of history’s all-time greats. We offer Bach for Springtime, this week on Pipedreams.
Recitalist Herman D. Taylor provides perceptive introductions to varied works of African-American composers.
It’s J.S. Bach, but with a difference. An entire additional voice grafted onto a simple two-part invention makes a fiendishly difficult trio, but that’s just for starters. This week, we take a step beyond our usual understanding of Bach and listen to some of his most challenging scores brought to the edge by provocative modern interpretors. We’ll hear a jazzy reworking of the Air on the G-String, a Dutch rock musician’s take on the famous Toccata, and Porter Heaps’ Swinging After Bach.
From youthful virtuosity to arrangements beyond-the-pale, performers, composers and transcribers visit with the great master from Leipzig and invite him out for a real trip. Be prepared for excitement and surprise as we take Bach on the Wild Side.
From sprightly Renaissance dances to grandious concertos, this week’s show celebrates the many diverse elements that make organ music so remarkable. The fact that this instrument dates from the 16th century adds a sense of history. Beyond that, however, style, emotion, and compositional and mechanical ingenuity all play a part in creating an art filled that creates a multi-faceted experience ranging from restraint to rejoicing.
Whether in a charming transcription, an anthem accompaniment, or a zesty concert finale, the king of instruments does it all. Discover it yourself as we listening to recently released compact discs from around the world. We’re Going On Record.
This week we’ll examine the styles of a teacher and his student. Horatio Parker was traditionally schooled in 19th century Germany. A true Romantic. His devilishly talented upstart student Charles Ives, on the other hand, thought nothing of having a choir sing a hymn in one key while he accompanied in another. Despite their differences, American music would not be what it is today without both of them. Parker created lovely works of fine craftmanship while Ives chartered new territory.
Tradition becomes transition at the turn of the 19th century. Hear the contrasts between the old guard and one very enterprising student who brought a uniquely individual voice to 20th century American music. This week, it’s Parker and Ives.
This week we’ve raided the Pipedreams archive and have come up with a few surprises in celebration of history’s foremost pipe organ master.
Embellished by the pipe organ’s many colors, these compositions were inspired by African and Afro-American themes.
…in celebration of the International Year of the Organ, excerpts (Part 1) from an event recorded during the American Guild of Organist’s National Convention in Minnesota.
…in celebration of the International Year of the Organ, more excerpts from the American Guild of Organist’s National Convention in Minnesota.
…a time for celebration, reflection, and projection of new expectations for the new season ahead.
…a colorful collection of music featuring African-American composers and performers.
…concert performances of American music from an American Guild of Organists convention in the Minnesota twin cities of Minneapolis and Saint Paul.
…excerpts from the Pipedreams 35th Anniversary (and Barone’s 50th) bash with Minnesota friends at the Wooddale Church.
…Daniel Hyde’s opening concert on the highly anticipated new Miller-Scott Memorial Organ (Dobson Opus 93) at St. Thomas Church on 5th Avenue.
…A miscellany of music and musicians in homage to the greatest of all organists.
…An encouraging display of musical ability from players aged fourteen to nineteen.
…a summer quarter sampler of recent releases of organ music, with emphasis on the unusual and the unusually attractive.
…An international spectrum of compositions in performances by Black artists.
Music on Old Testament themes for Synagogue services or concerts.
